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Browse by author: Ben Dooley
1.

A review of British documentarian James Marsh's excellent feature film debut The King, a haunting piece of Southern Gothic which has earned comparison to Terrence Malick, David Lynch, and David Cronenberg (A History of Violence.

2.

A comparative analysis of social/political meaning in Charlie Chaplin's The Immigrant and Busby Berkeley and Mervyn Le Roy's Golddiggers of 1933.

3.

Psychoanalytical reading of Hawks' Bringing up Baby and Hitchcock's Vertigo


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